Atelier Tsuyoshi Tane Architectsが設計した、フランス・パリの「ザ・アール・サー二・コレクション ミュージアムスペース」です。18世紀築の歴史的建物内“オテル・ドゥ・ラ・マリン”内のギャラリー空間で、5千年以上の時間に及ぶコレクションを有する財団の為に設計、マニフェスト“未来の考古学”に基づいたリサーチにより“時空を超えた対話”を目指しました。
Atelier Tsuyoshi Tane Architectsによる、パリの「ザ・アール・サー二・コレクション ミュージアムスペース」。18世紀築の歴史的建物内のギャラリー空間で、5千年以上の時間に及ぶコレクションを有する財団の為に設計、マニフェスト“未来の考古学”に基づいたリサーチにより“時空を超えた対話”を目指す
Hôtel de la Marine, la Place de la Concorde, PARIS, FRANCE
住所:フランス、パリ
クライアント:The Al Thani Collection
プログラム:museum, conservation, office, auditorium
建築家:ATTA
コンセプト:Tsuyoshi Tane
プロジェクトマネージャー:Valentino Pagani
チーム:Francisco Javier Roy, Matteo Lunanova, Val Flanon, Shohei Yamashita, Shota Yamamoto, Paul Trussler, Yosuke Tukamoto
床面積:760㎡ (museum: 400㎡² + BOH: 360㎡)
設計施工期間:2019年~2021年
竣工:2021年11月
写真:Takuji Shimmura
Built in the 18th century, this landmark building in the place de Concorde was commissioned by King Louis XV and designed by his principal architect, Ange-Jacques Gabriel. Occasionally opened to the public in its early years when it served as a repository for the French Royal Collections, it lays claim to being the first museum in Paris. It later became the official headquarters of the French Navy for over 200 years. The Centre des monuments nationaux recently oversaw an extensive restoration of the building over a five-year period before it reopened in 2021.
The Al Thani Collection is one of the world’s most prestigious private collections and includes an exceptional array of artworks spanning the ancient world to the present day. Encyclopaedic in its approach, and representing a diverse range of cultures and civilisations, the Collection celebrates creativity and the universal power of art through the ages.
The Al Thani Collection assigned ATTA – Atelier Tsuyoshi Tane Architects to design a new museum space that would combine “universal beauty” with the “museum of the 21st century”. It posed a great challenge to design a new museum space that would be in situ for at least 20 years, and which would be situated seamlessly within a landmark historical building.
Based on ATTA’s manifesto “Archaeology of the Future,” research began with the excavation of the memory of the Hôtel de la Marine, exploring the story of the invention of the Versailles floor patterns and the ornamentation of the Rocaille style which had been buried in history, and which were then transformed into an idea of the future.
The concept of the project brought together the history of France in the 18th century and artistic creations of the ancients, superimposing them in a 21st century setting that transcends time, creating a seamless “dialogue across time and space”.