この「介入」には、保険会社ジェネラリの最高級オフィスがある1階と2階の修復、新しい垂直循環を取り入れたアクセス性とユーザビリティの再編成、3階の改装が含まれ、展示スペース、ワークスペース、イベントスペース、人々のセーフティネットにつながる講堂への一般アクセスも可能になっています。

パステルローネ、テラッツォ、マルモリーノ、スキアルバトゥーラ、コチョペスト、コットなどを使い、床材、壁材、天井材に職人の技を生かし、押し付けるのではなく、むしろ受け継いで、一つの全体として仕上げ、何百年も前からヴェネツィアの最も代表的な場所で存在してきたものを完全に取り戻すことを目指しています。

以下の写真はクリックで拡大します

以下、建築家によるテキストです。

Saint Mark’s Square, besides being one of the world’s most recognisable squares, is an extraordinary and explicit demonstration of ordered public space defined on three of its four sides by the Procuratie Vecchie, the Procuratie Nuove and Procuratie Nuovissime.

The Procuratie Vecchie was developed along the entire North side of the square, in the first half of the Sixteenth Century, under the renovatio urbis programme of the Doge of the Republic of Venice, Andrea Gritti and involved three architects, Mauro Codussi, and Bartolomeo Bon and Jacopo Sansovino, establishing the modern ancient language adopted by the subsequent developments of the other Procuratie of the other Procuratie on the other West and South sides of the square.

Generali, which just began its life in the Procuratie Vecchie and which it has acquired almost entirely over the years, has set as its goal to bring the Procuratie Vecchie into a more engaged relationship with the city of Venice,through the activities of The Human Safety Net, Generali’s foundation situated on the third attic floor, a large part of the Procuratie Vecchie made accessible to the public for the first time in half century.

David Chipperfield Architects Milan developed an idea for project which is not defined by a single architectural gesture, but rather by a series of Interventions that address the complexity of the work through a flexible approach in order to interpret and make sense of both historical modifications and practical adaptations of the Procuratie Vecchie.

The Interventions include the Restoration of the first and second floors, where the most prestigious Offices of the Generali insurance company are situated, the Reorganisation of accessibility and usability through the inclusion of new vertical circulation, and the Renovation of the third floor, with public access to the exhibition spaces as well as workspaces, event spaces and an auditorium linked to The Human Safety Net.

The Interventions looked to ancient, local and traditional construction techniques and made use of artisanal craftsmanship for the flooring, walling and ceiling, using pastellone and terrazzo, marmorino and scialbatura, but also cocciopesto and cotto, seeking not to impose but rather to inherit, in order to complete into a single whole and reclaim the integrity of what has been present for hundreds of years in probably the most representative place in Venice.

■建築概要

Project title: Venice, Piazza San Marco, Procuratie Vecchie
Project typology: Recovery Project
Project location: Piazza San Marco 107, Venice, Italy
Client: Generali Real Estate S.p.A., Milano, Italy
Competition: September 2016 – July 2017
Project: July 2017 – July 2019
Construction: May 2019 – February 2022
Opening: April 2022
Net area per level:
Ground Floor Level 1.450 sqm, First Floor Level 2.400 sqm, Second Floor Level 2.700 sqm, Third Floor Level 2.175 sqm, Fourth Floor Level 890 sqm
Net total area: 9.615 sqm
Gross total area: 11.890 sqm
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Architect: David Chipperfield Architects Milan, Italy
Partners: David Chipperfield, Giuseppe Zampieri
Associate Director: Cristiano Billia
Associates: Adolfo Berardozzi, Andrea Cocco, Carlo Zucchia
Project team: Simone Diego Alessi, Federica Amoruso, Thomas Benk, Corrado Bongiorno, Cecilia Bottoni, Niccolò Brussa, Teresa Cancellari, Marta Capacciola, Francesca Carino, Filippo Carcano, Francesca Carino, Carlo Federico Cattò, Fabiano Cocozza, Maria Elena Codazzi, Paolo Dell‘Elce, Stefano Goffi, Tsukasa Goto, Samuel Lodetti, Eugenio Matteazzi, Tommaso Meena, Daniel Mira García, Sofia Nobis, Brigid O’Donnell, Stefano Penazzi, Matthijs Sioen, Tiziana Staffieri, Davide Tassera, Federico Turelli, Wouter Verstraete, Maria Chiara Virgili
Competition team: Cosmin Amato, Pietro Bagnoli, Corrado Bongiorno, Cecilia Bottoni, Filippo Carcano, Carlo Federico Cattò, Tommaso Certo, Fabiano Cocozza, Maria Elena Codazzi, Federica Corrà, Paolo Dell‘Elce, Tsukasa Goto, Nicola Guercilena, Seunggeun Jee, Chiara Lippi, Eugenio Matteazzi, Gabriele Pagani, Paolo Volpetti, Federica Zerbo
In collaboration with: David Chipperfield Architects, Berlin: Thomas Benk, Anke Fritzsch,
Christopher Jonas, Zero4Uno Ingegneria srl, Venice, Italy: Romeo Scarpa, Franco Gazzarri Architetto, Mestre, Italy
Quantity surveyor: GAD, Milan, Italy: Gianpiero Aresi, Luca Cedrelli, Francesco Minoia
Works management: TA Architettura, Mestre, Italy: Diego Boldo, Giulia Conti, Anna Lisa
Girolami, Alberto Torsello
General contractor Project coordination: SACAIM, Marghera (Venice), Italy
Artelia, Milan, Italy: Giorgio Alberti, Giuseppe Baudille, Matteo
Lavazza, Marco Paolacci, Massimo Vedovato
Structural engineer :Arup, Milan, Italy: Federico Bormetti, Luca Buzzoni, Guglielmo
Carra, Giammichele Melis
Services engineer: Arup, Milan, Italy: Paolo Bianchi, Paolo Cresci
Acoustic consultant: Manens Tifs, Verona, Italy: Marco Trame, Roberto Zecchin
Fire consultant: Studio Mistretta, Milan, Italy: Valentina Liggi, Silvestre Mistretta
Façade consultant: Arup, Milan, Italy: Konrad Runggaldier
Lighting consultant: Viabizzuno, Bentivoglio (Bologna), Italy: Giacomo Coppe, Francesco
Finetti, Mario Nanni, Giulia Pulga