ファラによる、舞台美術「pendulo」。移民労働者を主題とした演劇の為に計画。“意味を投影する存在”として、MDFや波板などの“ありふれた材料”を用いた“意図的に控えめ”な空間を考案。モジュール式として様々な劇場や制約への適用も可能にする photo by francisco ascensaoファラによる、舞台美術「pendulo」。移民労働者を主題とした演劇の為に計画。“意味を投影する存在”として、MDFや波板などの“ありふれた材料”を用いた“意図的に控えめ”な空間を考案。モジュール式として様々な劇場や制約への適用も可能にする photo by francisco ascensaoファラによる、舞台美術「pendulo」。移民労働者を主題とした演劇の為に計画。“意味を投影する存在”として、MDFや波板などの“ありふれた材料”を用いた“意図的に控えめ”な空間を考案。モジュール式として様々な劇場や制約への適用も可能にする photo by francisco ascensao
How do immigrant workers relate to the families they work for? And how are they shaped by that relationship? What does it mean to leave one’s own home in order to care for the homes of others? And, at another scale, how does a country position itself towards the immigrants it receives? These questions frame the project. The stage becomes a place where private relations and broader social structures briefly overlap.
A stage set is not necessarily more fictional than any other architectural project. The difference lies in its directness. Its walls are deliberately thin, almost provisional, existing primarily to project meaning rather than to contain space. The design is conceived as a modular system, capable of adapting to different theatres, stages, and spatial constraints. Its components are deliberately modest: MDF panels, thin metal profiles, corrugated sheets, and paint. Ordinary materials assembled with clarity and efficiency form a temporary architecture whose purpose is not permanence, but the precise staging of a situation.
■建築概要
fala 189
pendulo
lisbon, zagreb, berlin, warsaw, bologna (itinerant)
2023
project team: fala (filipe magalhaes, ana luisa soares, ahmed belkhodja, lera samovich, joao carlos lopes); artworks (execution)
area: 150m2
